LARGE FORMAT LENSES

If you are looking for something not found in the options listed below we have the ability to sub-rent and acquire any lenses you need for your next project…so please don’t hesitate to contact us for anything you wish to hire.

ARRI SIGNATURE PRIME LENS set

  • • 21mm T1.8
    • 25mm T1.8
    • 35mm T1.8
    • 47mm T1.8
    • 58mm T1.8
    • 75mm T1.8
    • 95mm T1.8
    • 125mm T1.8

    While the Signature Primes exemplify state-of-the-art optical precision, they have been designed to render organic, emotionally engaging images, gently softening, and texturizing the large format with natural skin tones and creamy bokeh. A fast T-stop of T1.8 facilitates shallow depth of field and the smooth focus fall-off which gives subjects heightened presence in the frame. The ARRI Signature Prime range is the first cine lens series to feature machined magnesium lens barrels, making the optics incredibly lightweight and robust.

ARRI ENSö PRIME LENS KIT (LPL Mount)

  • • Compact & Lightweight Design
    • Cooke/i & ARRI LDS-2 Lens Communication
    • T2.1 Aperture, 1:4 Magnification
    • 95mm Front Diameter

    Designed with a compact and lightweight form factor, the set includes 18, 24, 32, 47, 75, and 105mm focal lengths, which share a T2.1 aperture and 95mm front diameter for easy swapping without requiring extensive fiddling with your settings. A 1:4 magnification ratio allows the lenses to have extremely close minimum focus distances while retaining minimum focus breathing. These focal lengths cover a wide range of applications, from product imagery to interviews. If you want to customise the look of your Enso Primes, use the separately available Vintage Element Kit (EVE). All lenses feature ARRI LDS-2 and Cooke/i electronic lens communication that provides metadata to your compatible camera.

ARRI ENSö VINTAGE ELEMENTS

  • • Enso VE 350P
    • Enso VE 200P
    • Enso VE 100P
    • Enso VE 100N
    • Enso VE 200N
    • Enso VE 350N

    Ensö Vintage Elements (EVE) are interchangeable optics that attach magnetically to the back of Enso lenses, offering quick and easy external lens tuning that changes the look of your images. Metadata about slight shifts to focus scale, T-stop, and focal length goes to on-set monitors and postproduction, and allows automatic focus compensation with ARRI's Hi-5 hand unit. The set of six Vintage Elements also comes with a Creative Adapter that lets you invent your own unique Elements.

ZEISS SUPREME PRIME LENS set

  • • 15mm T1.8
    • 21mm T1.5
    • 25mm T1.5
    • 29mm T1.5
    • 35mm T1.5
    • 50mm T1.5
    • 85mm T1.5
    • 100mm T1.5

    Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, colour rendering, aperture, size, weight, and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.2 mm. The Supreme Prime lenses are colour matched across the full range and most feature a fast T-stop of T1.5. The small front diameter of 95mm on almost all lenses and standardized positioning of the focus and iris rings across the whole family facilitate fast and easy equipment changeout. The compact and lightweight design means you enjoy easy and comfortable handling.

ZEISS SUPREME 15MM T1.8 PRIME LENS

  • The ZEISS Supreme Prime 15 mm T1.8 PL mount lens, completes the family of highly successful Supreme Prime lenses renowned for its outstanding quality, light weight, and a versatile look. The 15mm lens rounds out the lineup providing an extremely wide-angle view and a maximum aperture of T1.8. This 15 mm lens is the final piece of the puzzle that many cinematographers have been waiting for. The lens features a subtle and gradual focus fall-off and a consistently warm and soft bokeh, which comes into its own when used for feature film and high-end episodic productions.

LEITZ HUGO LENS SET

  • • 21mm T1.5
    • 24mm T1.5
    • 28mm T1.5
    • 35mm T1.5
    • 50mm T1.5
    • 75mm T1.5
    • 90mm T1.5
    (ADDITIONAL) 50mm NOCTILUX-M T1.0

    The Leitz HUGO lenses are designed to be small, fast, lightweight, and as close focusing as possible. Building on the popularity of the Leitz M 0.8 series, the Leitz HUGO lenses use the same Leica M optics, but feature a completely new housing design and build quality to match existing Leitz cinematography lenses. The lenses have an LPL mount and the traditional cine orientation of focus and iris scales with expanded focus scales. They feature a 270° rotation, and greatly increased close focus ability.

Leitz THALIA LENS set

  • • 30mm T2.9
    • 35mm T2.6
    • 45mm T2.9
    • 70mm T2.6
    • 100mm T2.2
    • 180mm T3.6

    The Leitz Thalia prime lenses offer a consistently cinematic look and feel throughout the range. These PL mount lenses are incredibly lightweight and compact with a matched diameter of 95mm. The unique always-round iris design creates a bokeh that is smooth, distinct, and full of character. And although these are not vintage lenses, the Leitz Thalia’s offer many of the characteristics that have led cinematographers to pair older lenses with digital sensors. They are smooth, forgiving, and clear without being overly sharp.

Cooke FF Panchro Lens Set

  • • 21mm T2.2
    • 25mm T2.0
    • 32mm T2.0
    • 40mm T2.0
    • 50mm T2.0
    • 65mm MACRO T2.4
    • 75mm T2.0
    • 100mm T2.6

    The optics are designed to give maximum performance at full aperture with superior control of flare, distortion, and spherical aberration. The Academy Award® winning cam-style focus movement coupled with the added benefit of a large lens barrel diameter, allows for an increased number of focus markings, particularly at close focus. All Panchro/i Classic prime lenses are colour balanced, colour matched and compatible with other Cooke Lenses.

TLS ReHoused K35 Lens SeT

  • • 24mm T1.6
    • 35mm T1.4
    • 55mm T1.4
    • 85mm T1.4
    • TLS Canon FD 20mm T2.8
    • TLS Canon FD 135mm T2.0

    Canon K35s are the perfect combination of amazing performance and unique character. They are low contrast, have a gentle focus fall-off, and produce gorgeous pastel skin tones. They cover Full Frame, they are high speed lenses, have excellent close-focus and their 15-blade iris means your bokeh is always a soft circular shape. They are also one of the best performing vintage super speed lenses when shot wide-open thanks in large part to their aspherical designs.

GL OPTICS CANON FD VINTAGE LENS SET

  • • 20mm T2.9
    • 20mm T2.9
    • 24mm T1.5
    • 35mm T2.1
    • 45mm (YASHICA LENS) T1.5
    • 55mm T1.3
    • 85mm T1.3
    • 135mm T2.1

    The Canon FD ASPH Lenses incorporate a floating element design and aspherical glass for sharp images, and close-range correction. These lenses are very similar in character, personality, and sharpness to our TLS Canon K35 prime lenses. Out of focus highlights and bokeh are extremely pleasing, while offering an outstanding sharpness throughout the frame. The Canon VINTAGE-FD lenses help digital sensors achieve character and a “look” that is flattering to flesh tones and out of focus objects.

GL OPTICS ZEISS CONTAX VINTAGE LENS SET

  • • 15mm T3.6
    • 21mm T2.9
    • 28mm T2.1
    • 35mm T1.5
    • 50mm T1.5
    • 85mm T1.3
    • 100mm T2.1
    • 135mm T2.1

    The Zeiss Contax lenses have fantastic qualities found nowhere else. Built from 1974 onwards they are famed as being beautifully ‘soft’ and favourably ‘sharp’ lenses. This lens set has been exceptionally re-housed by GL Optics. They have a great organic character and offer outstanding image quality throughout the focal range.

ZERO OPTIK OLYMPUS OM ZUIKO & PEN F SERIES

  • • 21mm T2.3
    • 28mm T2.2
    • 35mm T2.2
    • 40mm T2.2
    • 50mm T1.3
    • 60mm T1.7
    • 70mm T2.2
    • 85mm T2.2
    • 100mm T2.1
    • 135mm T2.9 

    Olympus OM lenses have enjoyed a devoted cult following since their announcement in the 1970s and it’s not hard to see why. The crowning achievement of visionary designer Yoshihisa Maitani, the OM primes are unique among vintage photo lenses for their combination of compact size, uniform f/2.0 apertures, and consistent performance. Images are clear without being sterile and the flares are warm and gentle.

Leitz R VINTAGE SET

  • • 19mm T2.8
    • 28mm T2.8
    • 35mm T1.4
    • 50mm T1.4
    • 80mm T1.4
    • 135mm T2.8

    The Vintage Leitz “R” lens set represents a unique combination of sharpness, creamy fall-off, and perfect bokeh elements. With today’s digital sensors, the lens becomes the predominant factor in the pictures look (or quality). The Vintage Leitz “R” lenses give a quality that help gain personality and favourable characteristics, especially in flesh tones.

MASTERBUILT CLASSIC SERIES PRIMES

  • • 18mm T1.4
    • 25mm T1.4
    • 35mm T1.4
    • 40mm T1.4
    • 50mm T1.4
    • 65mm T1.4
    • 85mm T1.4
    • 105mm T1.4

    The MasterBuilt Classic Series Lenses have been designed to produce images of vintage personality throughout large format cinematography. Built to exacting specifications, the MasterBulit lenses maintain superior centre sharpness, while gradually building softness and glowing beauty throughout the frame. Each lens maintains a super-fast T1.4 aperture throughout the entire focal range, making it effortless to shoot in professional settings were swapping lenses and shooting matching coverage becomes crucial.

COOKE 1.8x ANAMORPHIC SET

  • • 40mm T2.3
    • 50mm T2.3
    • 75mm T2.3
    • 100mm T2.3
    • 85mm MACRO T2.9
    • 135mm T2.3

    These Full Frame 1.8x Cooke anamorphic primes are the next evolution in Full Frame lensing. Blending the classic “Cooke Look” characteristics with a 1.8x squeeze factor, that perfectly covers the 36x24mm Full Frame format, there is no denying that these lenses are the pinnacle of lens design. With a 1.8x squeeze factor, these lenses allow for more use of your full frame camera imager than a 2x anamorphic, meaning an additional 20% in usable resolution on average. With the 1.8x squeeze, you also don’t have to compromise, as these lenses feature all the anamorphic characteristics that we all love, such as oval bokeh and beautiful flares.

ATLAS MERCURY 1.5X ANAMORPHIC LENS KIT

  • • 36, 42, 54mm Mercury Primes
    • 72, 95, 138mm Mercury Primes
    • Covers Full-Frame Format
    • 1.5x Squeeze, Golden Streak Flares

    This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, and 72mm primes plus 54 and 95mm and 138mm. Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.

LAOWA PRO2BE 24MM T8 2X PROBE LENS SET

  • • 24mm T8.0 -DIRECT VIEW
    • 24mm T8.0 -35° VIEW
    • 24mm T8.0 – PERISCOPE VIEW

    The Laowa 24mm T8 2X Pro2be is the perfect combination of versatility and innovation. The lens kit comes in 3 unique lenses including the unique 35-degree tilt view. The Pro2be offers a maximum T8 aperture, 2X magnification and waterproof distance of 36.6cm, pairing perfectly with your high-speed cameras and motion-control system. The distinctive tubular and smartly twisted lens barrels offer maximum flexibility to explore new perspectives and new heights.

DZO FILM GNOSIS MACRO PRIMES

  • • 32, 65 & 90mm T2.8 Macro Prime Lenses
    • Covers Full-Frame Format
    • T2.8 to T22 Aperture Range

    This Gnosis Macro Prime 3-Lens Kit from DZOFilm bundles together 32, 65, and 90mm lenses, providing macro views in wide, standard, and telephoto options. They provide crisply detailed images and a wide-angle, immersive view with uniform color reproduction and 1:1 macro magnification at 6.6”. They offer a superior optical design which incorporates a 16-blade aperture for both attractive bokeh and precise exposure control. Low-dispersion and HRI (high refractive index) elements help to control chromatic aberration and provide vibrant colors and natural gradations in tone, creating a cinematic look.

LAOWA 12MM T2.9 ZERO-D

  • This 12mm PL mounted lens is one of the widest t/2.9 lens that can cover sensor up to both full frame & vista vision size (wider than full frame), making it one of the ideal wide angle option for both professional cinema cameras and mirrorless cameras. Its super compact and has a 122 degree field of view and is close to having zero distortion.

VENUS OPTICS LAOWA SWORD MACRO CINE LENS SET

  • • 25, 35, 65 & 100mm T2.9 Macro Prime Lenses
    • Covers Full-Frame Format
    • 43.2mm Image Circle

    The Venus Optics Laowa Sword Macro Cine Lens Set includes four focal lengths for most cases. This ARRI PL full frame-compatible set features 25, 35, 60, 100mm focal lengths. The 25, 35, 60, and 100mm lenses share cine-standard gearing, front diameters, filter threads, and aperture ranges for easy switching. The Sword series is engineered with improved chromatic aberration control to prevent color fringing while maintaining sharp and vibrant images. The focus ring rotates 84° and the iris ring 37° for intuitive manual adjustments. A 110° angle of view ensures your subject remains in the frame.

GL OPTICS LAOWA 10MM T3.1 SUPER WIDE LENS

  • Rewrite the rules of wide-angle cinematography with the GL Optics rehoused Laowa 10mm T3.1 LPL Mount Cinema Lens. This groundbreaking lens isn’t just the world’s first rectilinear 10mm full-frame option; it’s the lightest and most affordable in its class. Unlike most 10mm lenses that bend and warp reality, the Laowa 10mm f/1.3 LPL renders the world with breathtaking rectilinear accuracy. Capture cityscapes in their true, awe-inspiring grandeur, with pristine lines and unfaltering perspectives. No bulging horizons, no distorted smiles; just the sheer, unadulterated beauty of the world laid bare in your 130.4° embrace.

IBE PL FF EXTENDER

  • • The PLx2 VV Optical Extender doubles the focal length of Vista Vision Format PL mount lenses

    • Due to its compact optical and mechanical design, the PLx2 VV is compatible with a wide range of lenses

    The PLx2 VV features high-index, low-dispersion glass to ensure the highest possible resolution and contrast with minimal optical degradation. In doubling the image size, the transmitted light is spread over four times the area, decreasing the brightness by two f-stops. The optical design has been optimized for modern lenses and digital cameras and the maximum input T-stop is 1.9.

IBE LPLx2 VV EXTENDER

  • • High-Index, Low-Dispersion Glass
    • 4x Light Transmission, 2-Stop Decrease
    • For VistaVision Format LPL Mount Lenses

    Double the focal length of your VistaVision format LPL mount lens with this LPLX2 VV 2x Extender from IBE OPTICS. The extender features high-index, low-dispersion glass for high-contrast, high-resolution imagery. It features minimal optical degradation while doubling the image size, as the light is transmitted over four times the area, thus decreasing the image brightness by two stops. To create an optimized optical design for modern lenses and digital cameras, the maximum input is T1.9. The LPLX2 VV is designed to mount the LPL lens on any digital cinema camera with a native LPL mount.

LAOWA 2.0 PERIPROBE 24MM LENS 

  • • The new Periprobe inherits all the features from the old probe lens.

    • It features 85° AoV with a periscope

    • Users can easily switch the 90° periscope back to the 0° straight scope

    2x magnification allows for capturing subjects of different sizes with incredible detail. Users can poke the long and waterproof barrel into tight spaces and even underwater to obtain a unique perspective. The lens can rotate 360° along the axis by using the clutch mechanism to unlock the orientation ring. An LED Ring Lite provides a light source super close to the subject.

LAOWA PROBE 24MM LENS

  • • The probe will cover both standard 35mm full frame & Super35 image sensor

    • An extremely long and narrow waterproof front barrel

    • The wide angle design provides a greater depth of field at a close distance

    Capable of focussing from 2:1 macro to infinity with an incredible 85° field of view creating a unique ‘Bug Eye’ perspective, this 'Cine Mod' version PL mount lens is the ultimate macro lens for when you need to shoot in those hard to reach places.