OUR CAMERA RANGE

ARRI ALEXA 35 - Southern Cross Cameras

ARRI ALEXA 35

  • • Super 35 4.6K camera in a compact body
    • Robust and reliable
    • High Dynamic Range / 17 Stops
    • Brand NEW ARRI REVEAL Colour Science
    • ARRIRAW or Apple ProRes recording

ARRI Alexa Mini LF - Southern Cross Cameras

ARRI ALEXA MINI LF

  • • Compact and lightweight camera
    • Robust and reliable
    • Large-format sensor for Large-format look
    • Large Format / Super 35 and Anamorphic recording modes
    • 4.5K Resolution with ARRI‘s best overall image quality
    • ARRI RAW or Apple ProRes recording

SONY VENICE 2 8K

  • • 36x24mm Full-Frame Sensor for Cinema
    • Internal 16-bit X-OCN and 4K ProRes Recording
    • Dual base ISO in 8K and 6K
    • 8-step Mechanical ND Filters
    • Intuitive and familiar on-set operation

    The VENICE 2 builds upon the strength of the original VENICE with new features including a compact design, internal recording and the option for two different sensors: the newly developed full-frame 8.6K sensor or the original 6K VENICE sensor.  The VENICE 2 also inherits popular features from the original VENICE including color science, Dual Base ISO and 8-stops of built-in ND filters. Thanks to new internal recording capabilities, users can capture even more colours and detail within the compact body they already know.

SONY BURANO 8.6K CINEALTA CAMERA

  • • Full-Frame CMOS 8.6K Sensor
    • Compact, Highly Mobile Design
    • In-Body Image Stabilisation E & PL Mount
    • Electronically Variable 0.6-2.1 ND Internal Filters
    • Dual-Base 800/3200 ISO Range

    The new BURANO features a sensor that matches the colour science of the Sony VENICE 2. This camera combines exceptional image quality with high mobility and is the world's first digital cinema camera with a PL-Mount to feature in-body image stabilisation. BURANO supports multiple internal recording formats, such as the new XAVC HTM for 8K. Other recording formats include XAVC and X-OCN LT. X-OCN is Sony’s original compressed RAW format that can capture information shot with 16-bit linear data, which gives filmmakers more freedom in post for colour grading.

SONY VENICE 6K

  • • 6K camera in a compact modular body
    • Simultaneous recording for faster workflow
    • VENICE can support XAVC, ProRes, or MPEG HD. Using the AXS-R7 recorder, it can record 16-bit RAW or X-OCN
    • 8-step mechanical ND Filters. ND0.3 to ND2.4

    VENICE has a fully modular design and even the sensor block is interchangeable for use with the optional RIALTO System.

    Providing a flexible design configuration within a single camera body, the Sony VENICE 6K Digital Motion Picture Camera is meant to provide you with just the amount of camera you need, so you don't have to invest in more than necessary. It features a full-frame CMOS sensor with 15+ stops of dynamic range, but in its basic configuration, it windows the sensor to shoot Super 35. The camera comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. As is, the camera supports DCI and UHD 4K capture, while planned and scheduled firmware updates will enable anamorphic, full-frame, and select frame rates from 1 to 60 fps.

RED V-RAPTOR [X]

RED V-RAPTOR [X] 

  • • Large format Global Shutter
    • Lightweight & Compact DSMC3 Design
    • Global Vision with Extended Highlights
    • Supports up to 8K 120fps
    • 17+ Stops of Dynamic Range

    V-RAPTOR [X] 8K VV combines the strengths of RED’s two families of cameras into one powerful all-purpose workhorse. The frame rates, low light performance, and resolution of the V-RAPTOR line combined with the global shutter advancements of KOMODO, the V-RAPTOR [X] 8K VV sensor is the culmination of the latest advancements in digital cinema image making. Using RED’s newest 8K VV sensor, V-RAPTOR [X] leverages the benefits and flexibility of large format, global shutter, high framerate, 8K acquisition, all inside of a compact and feature rich body weighing just over 1.8Kg.

RED KOMODO X

  • • New S35 sensor capable of 6K at 80fps & 4K at 120 fps
    • Improved Body Design / Small form factor
    • CF Express Media for higher performance
    • Native Micro V-Lock Mount

ARRI ALEXA MINI

  • • Super 35 3.4K Resolution in a compact body
    • Robust and reliable
    • Built-In-Motorised FSND Filters (0.6,1.2, 2.1)
    • Anamorphic recording modes
    • Record up to 200fps
    • ARRIRAW or Apple ProRes recording

FREEFLY EMBER 

  • • 5K Max resolution at 600fps & 4K at 800fps
    • Gpixel Sensor with Global Shutter
    • Apple ProRes Codec
    • Wireless Control